thanks to all those wonderful folks out there,
the eleventh cosmic winnetou batch is now sold out at source.thanks for all your orders and support!
if you are interested in one of the cassettes of this batch, please contact the artists directly:
Ø+yn or uton for the monster collab.
if you like to purchase the wonderful strom noir tape please visit emil matko's bandcamp,
and florin von ameln sells his share of the "an elm" tape via his bandcamp.
josh at tomentosa will have copies of those awesome tapes in stock as well,
so you can click and visit his shop and order there, always recommended to do so anyway.
Donnerstag, 18. August 2016
Sonntag, 31. Juli 2016
cw33
uton & Ø+yn,
bird people & creation VI
monster collab c54
they have reached the beginning, the first light, the oldest path that guided them into the land of solid geometry. following those steam walls and mineral screamings they configured the map of the new mental order.
bird people & creation VI
monster collab c54
on this record Ø+yn & uton are:
gustavo valerga, matías zanotto, pablo picco, atilio sanchez and jani hirvonent. recorded in córdoba, argentina and chantepie, france
bird people is uli rois, creation VI is tim six.
recorded in crimera, russia and vienna, austria.
bird people is uli rois, creation VI is tim six.
recorded in crimera, russia and vienna, austria.
worldwide cooperation of drone wizards, consilidating their power to rattle your backbone and ewoke your primeval memories.
chrome tape,
home-dubbed in real time.
professionally printed j-card,
drawings by peter prothmann / instant garbage
layout by katya velkova.
limited to 70 hand-numbered copies.
sold out at source!
home-dubbed in real time.
professionally printed j-card,
drawings by peter prothmann / instant garbage
layout by katya velkova.
limited to 70 hand-numbered copies.
sold out at source!
cw34
strom noir
the white colour of the clouds c46
very first intention was to come up with the tape release consisting of tracks made by using solely guitar resonances. so few tracks are based, almost purely, on the sound fragments which were recorded in a way that i started to record couple of seconds, even minutes, after the last tone was played. on the other hand, there are “more regular” tracks which are based on a simple melody, repeated during the entire track. i have always had some kind of fondness for such tracks, there is some kind of thrill which puts listener into an expectation of the change which, at the end, does not come. finally i've recorded tracks that represent some kind of conjunction of what one can hear on the album, abstract fragments as well as melodic parts. as the result, the white colour of the clouds represents probably the most conceptualized release I have ever made.
the white colour of the clouds c46
very first intention was to come up with the tape release consisting of tracks made by using solely guitar resonances. so few tracks are based, almost purely, on the sound fragments which were recorded in a way that i started to record couple of seconds, even minutes, after the last tone was played. on the other hand, there are “more regular” tracks which are based on a simple melody, repeated during the entire track. i have always had some kind of fondness for such tracks, there is some kind of thrill which puts listener into an expectation of the change which, at the end, does not come. finally i've recorded tracks that represent some kind of conjunction of what one can hear on the album, abstract fragments as well as melodic parts. as the result, the white colour of the clouds represents probably the most conceptualized release I have ever made.
home-dubbed in real time.
professionally printed j-card,
drawings by peter prothmann / instant garbage
layout by katya velkova.
limited to 70 hand-numbered copies.
professionally printed j-card,
drawings by peter prothmann / instant garbage
layout by katya velkova.
limited to 70 hand-numbered copies.
cw35
an elm
fly pan elm c38
"fly pan elm" is a reaction to the positive feedback on it's predecessor, "a nightmare, an elm street", which was originally planned to be a one-off. yet "fly pan elm" picks a retro-charme inflated picture, and colours it with it's own paint of synthesizer melodies. memories of the peak of trans atlantic flights are nestled in sounds of subtle irony. put your seat back in a horizontal position.
fly pan elm c38
chrome tape,
home-dubbed in real time.
professionally printed j-card,
drawings by peter prothmann / instant garbage
layout by katya velkova.
limited to 70 hand-numbered copies.
home-dubbed in real time.
professionally printed j-card,
drawings by peter prothmann / instant garbage
layout by katya velkova.
limited to 70 hand-numbered copies.
Donnerstag, 11. Februar 2016
cw30
guenter schlienz
book of dreams
12"
book of dreams
12"
"book of dreams" was inspired by notes about dreams i wrote down shortly after i woke up from my sleep. in those strange moments between phantasy and reality, when you can still remember the images and feelings of the dream before they are rubbed off by daytime thoughts and troubles. the compositions which can be heard on this album trying to recapture those images and feelings, mixed with a second thought, kind of a sober interpretation of the sometimes wild and furious adventures with somnia.
edition
of 100 hand-numbered copies,
75x 180gr black vinyl, 25x 180gr red vinyl. (sold out!)
vinyl comes in polylined paper sleeves,
pro-printed hand-affixed book cover cloth on black cardbord jacket.
cover arts presented by jrygen ueberschär.
75x 180gr black vinyl, 25x 180gr red vinyl. (sold out!)
vinyl comes in polylined paper sleeves,
pro-printed hand-affixed book cover cloth on black cardbord jacket.
cover arts presented by jrygen ueberschär.
cw31
trikorder 23
blumster
12"
blumster
12"
niko the charming geek, alone with friends, locked in a space with trees and a table, which is covered for all. everything stops around you and it takes a while until you realize that it only runs much slower.
he simply took this old, detuned guitar in the night and played.
he simply took this old, detuned guitar in the night and played.
so, naturally the guitar fell in love with him and they became good friends.
and whenever niko left the studio to visit his beautiful wife and his lovely daughter at the city,
the guitar started to cry.
the more you turn the record,
the clearer are the little voices of the sad guitar in empty space.
so, sit down! (cristof wlemang)
edition
of 100 hand-numbered 180gr vinyl copies.
vinyl comes in polylined paper sleeves,
pro-printed hand-affixed book cover cloth on black cardbord jacket.
cover arts presented by jrygen ueberschär.
vinyl comes in polylined paper sleeves,
pro-printed hand-affixed book cover cloth on black cardbord jacket.
cover arts presented by jrygen ueberschär.
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